Back in March 2018, I put out a collection of five short stories as an ebook on Amazon for just £1.99. It wasn't the first time I'd used the Kindle self-publishing market, but it was the first time the ebook I published was my own.
Back in 2011, I'd experimented with publishing languishing works by fellow pro's and semi-pro's. It did a lot to raise my profile, a ridiculous amount, in fact: but one thing it didn't do was sell any ebooks. A few, by Fergus Bannon and Hal Duncan, did okay, but just okay. I decided to put self-publishing to the side for a while and concentrate on writing books such as Final Days and Extinction Game.
Cut to seven years later, and everything's changed. The ebook market has continued to take the world of publishing by storm.
The biggest difference is that there's now a lot more information out there about how to successfully self-publish. It's not enough to just fling it out there and hope for the best, which is what I essentially did in 2011. You need to learn about and implement meta-data, ads, and make use of good-quality cover art. A lot of people who experimented far more deeply with KDP in its earliest incarnation than I ever did wrote books about their experiences and how they succeeded or failed, and so I read many of their books.
Ten months after publishing Scienceville and Other Lost Worlds, how well has it done?
Put it this way: two of the five stories in that book were previously published in paying markets, while a third story originally appeared in a non-paying market. One of them sold twice (after appearing in Interzone, I re-sold the audio rights for Scienceville to the Starship Sofa podcast. You can listen to or download it here.)
To date, the income from this one self-published collection containing just five short stories equals more than eight times the money made from the two stories that sold to pro markets. Further, the ebook has made me at least five times more than I've made from short story sales, ever.
In fairness, I've only ever sold a literal handful of short stories: I'm not a fast producer. But still.
To put it a little further into perspective, according to my agent, John Jarrold, short story collections typically make only about 15% of what an author can expect to earn from a novel. I'm cautious about extrapolating too readily from the available data to estimate what I might make from a full-length novel, but even so, the future is looking increasingly bright.
So what did I do differently that I didn't do before? I read books on how to manipulate data on Amazon using tools that Amazon themselves provide for that purpose. I carefully crafted adverts with an aim of keeping the costs low and the income high. I paid money for halfway-decent cover art. I certainly benefited hugely from having had a number of novels in print, and the ready-made readership that came with them.
What I learned from all this is that it's possible to make good money in self-publishing, but only if you actually act like a publisher and treat your self-publishing like an actual business with costs as well as profits.
One thing I know for sure: self-publishing isn't for everybody. A lot of people still go into it and face-plant from the word go because they've used a home-made cover, or a cover that isn't at least passably professional-looking (I look back at my early ebook covers and cringe) or, worse, a cover that isn't appropriate. I know many writers whom I strongly suspect would struggle with the process, or hate it, or both.
But if all this talk of self-publishing doesn't make you want to wrap yourself up in a blanket and turn the lights out, then, yes, it is worth considering - especially if you've made professional sales in the past and developed a readership.
I'm still chasing traditional publishing: it's just that it isn't the only game in town any more, and I'm finally, finally free to write any damn thing I please with the knowledge that with sufficient effort, I have a decent chance of finding an audience for it.
Back in 2011, I'd experimented with publishing languishing works by fellow pro's and semi-pro's. It did a lot to raise my profile, a ridiculous amount, in fact: but one thing it didn't do was sell any ebooks. A few, by Fergus Bannon and Hal Duncan, did okay, but just okay. I decided to put self-publishing to the side for a while and concentrate on writing books such as Final Days and Extinction Game.
Cut to seven years later, and everything's changed. The ebook market has continued to take the world of publishing by storm.
The biggest difference is that there's now a lot more information out there about how to successfully self-publish. It's not enough to just fling it out there and hope for the best, which is what I essentially did in 2011. You need to learn about and implement meta-data, ads, and make use of good-quality cover art. A lot of people who experimented far more deeply with KDP in its earliest incarnation than I ever did wrote books about their experiences and how they succeeded or failed, and so I read many of their books.
Ten months after publishing Scienceville and Other Lost Worlds, how well has it done?
Put it this way: two of the five stories in that book were previously published in paying markets, while a third story originally appeared in a non-paying market. One of them sold twice (after appearing in Interzone, I re-sold the audio rights for Scienceville to the Starship Sofa podcast. You can listen to or download it here.)
To date, the income from this one self-published collection containing just five short stories equals more than eight times the money made from the two stories that sold to pro markets. Further, the ebook has made me at least five times more than I've made from short story sales, ever.
In fairness, I've only ever sold a literal handful of short stories: I'm not a fast producer. But still.
To put it a little further into perspective, according to my agent, John Jarrold, short story collections typically make only about 15% of what an author can expect to earn from a novel. I'm cautious about extrapolating too readily from the available data to estimate what I might make from a full-length novel, but even so, the future is looking increasingly bright.
So what did I do differently that I didn't do before? I read books on how to manipulate data on Amazon using tools that Amazon themselves provide for that purpose. I carefully crafted adverts with an aim of keeping the costs low and the income high. I paid money for halfway-decent cover art. I certainly benefited hugely from having had a number of novels in print, and the ready-made readership that came with them.
What I learned from all this is that it's possible to make good money in self-publishing, but only if you actually act like a publisher and treat your self-publishing like an actual business with costs as well as profits.
One thing I know for sure: self-publishing isn't for everybody. A lot of people still go into it and face-plant from the word go because they've used a home-made cover, or a cover that isn't at least passably professional-looking (I look back at my early ebook covers and cringe) or, worse, a cover that isn't appropriate. I know many writers whom I strongly suspect would struggle with the process, or hate it, or both.
But if all this talk of self-publishing doesn't make you want to wrap yourself up in a blanket and turn the lights out, then, yes, it is worth considering - especially if you've made professional sales in the past and developed a readership.
I'm still chasing traditional publishing: it's just that it isn't the only game in town any more, and I'm finally, finally free to write any damn thing I please with the knowledge that with sufficient effort, I have a decent chance of finding an audience for it.
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